New Installation at NYCPF 2013: Spontaneous Generation House

Spontaneous Generation House is a space for gathering the energy of the festival into new collectively written work.  All are invited to share the words and ideas they find to inspire them from the New York Poetry Festival.  Poet Ashton Winslow will facilitate workshops to elicit your contributions and provoke your creative impulses.  There will be materials for writing and drawing, transcribing and editing the poems that emerge.  As a portfolio takes shape, written by everyone, you can then come to help read and perform the poems on a stage built out of your own words from the day.  Come be part of it!home-words-vector

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The Ear Inn Series: Taggart, Short, Hecht

The Ear Inn Series: Taggart, Short, Hecht

THE POETRY SOCIETY OF NEW YORK PRESENTS
THE EAR INN SERIES
Featuring Jennifer Michael Hecht, Spencer Short, and Paige Taggart
Wednesday, June 26th, 8pm-11pm
at the Ear Inn
326 Spring Street, 2nd Floor

Ted Greenwald and Charles Bernstein founded the Ear Inn Series at the Ear Inn in TriBeCa in 1978. Housed in the historic James Brown house, the Ear Inn is the oldest working bar in New York City. The original Ear Inn Series aimed to be a venue where language poets and those writing in more traditional forms could read side by side, an uncommon practice in the 70’s. The series migrated around the city, took on many forms, and ran for another 20 years. Now The Poetry Society of New York is bringing it back to the Ear Inn on the last Wednesday of the month. In keeping with Greenwald and Bernstein’s original goal of celebrating both the history and future of poetry–its established forms as well as its experiments–the new Ear Inn Series features poetry’s masters, innovators, traditionalists, and pioneers alike in unexpected pairings.

Poet and historian Jennifer Michael Hecht earned a BA in history from Adelphi University and a PhD in the history of science from Columbia University. Her collections of poetry include the highly praised The Next Ancient World (2001)—which won the Tupelo Press Judge’s Prize in Poetry, the Poetry Society of America’s Norma Farber First Book Award, and ForeWord Review’s Poetry Book of the Year Award—and Funny (2005), winner of the Felix Pollak Prize in Poetry. Known for her wit and erudition, Hecht’s poetry frequently draws on her work as an intellectual historian. The Next Ancient World mixes contemporary and ancient world views, histories, myths, and ideas, and Funny explores the implications of the human love of humor and jokes. Hecht’s prose has also been widely praised for the breadth of its scholarship. Her books include Doubt: A History (2003); The End of the Soul: Scientific Modernity, Atheism, and Anthropology in France (2003), which won the prestigious Ralph Waldo Emerson Award from the Phi Beta Kappa Society; and The Happiness Myth: The Historical Antidote to What Isn’t Working Today (2008). Her next book of poems, Who Said, is forthcoming from Copper Canyon Press in Fall 2013. Hecht teaches at The New School and lives in Brooklyn with her husband and children.

Spencer Short is the author of Tremolo, selected for the National Poetry Series and published by HarperCollins in 2001. He is currently an attorney in New York City.

Paige Taggart lives in Brooklyn and is the author of 3 chapbooks: DIGITAL MACRAMÉ (Poor Claudia), Polaroid Parade (Greying Ghost Press), and The Ice Poems (DoubleCross Press). Trembling Pillow Press will publish her first full-length collection Want For Lion in late 2013/early 2014. 2 chapbooks are forthcoming: I am Writing To You From Another Country; Translations of Henri Michaux (Greying Ghost Press) and Last Difficult Gardens (Horse Less Press). She’s an avid jeweler (mactaggartjewelry.com) and co-founded the tumblr Poets Touching Trees.

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The Ear Inn Series: Bernstein, Ives, Schoonebeek

The Ear Inn Series: Bernstein, Ives, Schoonebeek

Photo by Lawrence Schwartzwald

Help us welcome one of the founders of the Ear Inn Series back to the Ear Inn! We’ll be upstairs, kids. Behind the black door, beneath the red light.

Charles Bernstein is an American poet, theorist, editor, and literary scholar. Bernstein holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania. He is one of the most prominent members of the Language poets (or L=A=N=G=U=A=G=E poets). In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. In 2005, Bernstein was awarded the Dean’s Award for Innovation in Teaching at the University of Pennsylvania. Educated at Harvard College, he has been visiting Professor of Poetry, Poetics, and Creative Writing at Columbia University, the University at Buffalo, Brown University, and Princeton University. A volume of Bernstein’s selected poetry from the past thirty years, “All the Whiskey in Heaven,” was published in 2010 by Farrar, Straus, and Giroux. Bernstein’s continued commitment to small presses remains strong – In the same year that FSG released his major collection, Chax Press released “Umbra,” a collection of Bernstein’s latest translations of poems from multiple languages. The Salt Companion to Charles Bernstein is forthcoming from Salt Publishing. Bernstein served as Distinguished Visiting Professor of Poetry, Poetics, and Theory at Princeton University in the Fall Term of 2011. In May of the same year, The University of Chicago Press released Bernstein’s collection of essays, “Attack of the Difficult Poems: Essays and Inventions.”

Lucy Ives is the author of a long poem, Anamnesis, published by Slope Editions on the last day of 2009; the forthcoming Nineties, a short novel; and Orange Roses, a poetry collection forthcoming from Ahsahta Press in fall 2013. Her poems have appeared in The Colorado Review, Conjunctions, Fence, Ploughshares, Volt, and 1913, among others. A deputy editor at Triple Canopy, she is co-editor of Corrected Slogans: Reading and Writing Conceptualism, published by Triple Canopy and the Museum of Contemporary Art Denver.

Danniel Schoonebeek’s work has appeared or is forthcoming in Tin House, Boston Review, Fence, Gulf Coast, Kenyon Review, Guernica, Denver Quarterly, Colorado Review, Drunken Boat, and elsewhere. In 2012, he was an Emerging Poets resident at Poets House and a writer-in-residence at Oregon State University. He writes a monthly column on poetry for The American Reader, hosts the Hatchet Job reading series in Brooklyn, and works as associate editor at PEN America.

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