Read Emi Bergquist’s book review on The Beautiful Immunity by Karen An-Hwei Lee and explore what it means to be immune—not just in the biological sense, but in the spiritual, emotional, and linguistic realms.
This post features poems from each of the Headliners of the 13th Annual New York City Poetry Festival: Ilya Kaminsky, Safia Elhillo, Kazim Ali & Katie Farris.
Carve out some you-time and head down to this month’s PTW spot & give this Prompt a free write.
Although Black History Month is coming to a close, we must remember that the influence of Black art and culture in the poetry world and the world beyond deserves acknowledgment and utmost appreciation 24/7/365.
twenty-one ways to prosper as a child of a dying world | Clickbait is a blog designed to shamelessly attract attention to poetry. Using devices typically reserved for online “clickbait” like listicles, how-to’s, trending topics, SEO, hashtags, hyperlinks, hyperbole, sensationalism, puff, and fluff, the poets at The Poetry Society of New York are having a little fun.
Mollie Gordon (she/her/hers) is a queer writer, educator, and theatre-maker based in Brooklyn, NY. Her prose and poetry have been published by Multiplicity Magazine and Love & Squalor, and her plays have been produced by The Bechdel Group and Sarah Lawrence College. She uses her writing to freely explore gender and the natural world, while also analyzing and reimagining the classics. She will graduate next year with a B.A. from Sarah Lawrence.
How fragile is the word “human”? In Joshua Beckman’s new collection, Animal Days , it appears more vulnerable than we would like to admit. Animal Days, published this year by Wave Books, breaks down the syntax through which we compose ourselves as creatures set apart. Branching distinctions, recited by habit, between subject and object, human and inhuman, are all scraped and shorn away from the text, allowing us to reach into the darkness beneath words and encounter a strangeness buried deep in our bodies. Porous, silent, damp—a movement barely sensed: the parts of life from which we’d normally recoil enter our awareness, like the pulse rushing in our wrist—a foreign feeling, always present, but suddenly recognized. Winding along the roots of our grammar like a speckled rot, Beckman’s poems moisten and decay our assumptions, revealing what we are when we are no longer ourselves.
Belarusian poet Valzhyna Mort’s first collection written in English, Collected Body, is a complex tapestry of characters and their familial stories. In the collection, readers are constantly threatened by a sense of imminent death. Yet, instead of an end, death here becomes a means of union.
By now it is no novel question to ask what the humanities owe the sciences, or indeed the sciences the humanities. The specture of the automaton is as old as the golem, which is to say as ancient as monotheism: this social anxiety regarding the essence of our humanity and its relationship to technology predates our modern conceptions of science. However, the meteoric rise in the social, political, and economic influence of technology companies such as Google, Apple, and Facebook demands that we continue reforming not only our answers to this question but our material responses to it. Social media theorist, editor emeritus of The New Inquiry, and sociologist at Snap Inc., Nathan Jurgenson addresses these disciplines via cyborg hybridity in his book The Social Photo: On Photography and Social Media.
Orchestrating a successful first date during a global pandemic is tough. Ok — to do it really right is darn near IMPOSSIBLE. And when you add the fact that the only way to meet comfortably for many people is through computer screens - conducted through the vast ethereal space that is the internet - it’s easy to feel disconnected. Here are some fun ways to take your virtual first date to the next level, brought to you by The Poetry Society Of New York.
