Life on a Lake

Life On The Lake

July 2024

Ely, MN

Acrylic and Oil Pigment Sticks on Canvas, White Pine Altar 

70 x 54 in, 20 x 12 x 6 in

It’s all in perspective. Did you know water drops off above a set of rapids in a perfect horizon line? Stark straight and all you see is a white splash here and there, or nothing at all, and just hear water roaring.  Paddling toward a horizon dropping off.  Water drops off of some horizon between our hands, too – between our perceptions. I want to pull the line between things close to me.  I want to take the line that defines things and pull it like a thread. Or turn it till it's wide, like I had just been looking at a piece of paper from its edge. Like I’m flipping a sketchbook page.  And suddenly the thing that separated us has enough room for me to draw, to lay something down, like a pen set after a poem flows, or like a precious ring set on an altar.  And the bugs painted this horizon line altar for me, pulled from a scrap pile from a milling day building timber frames down by the lake. The lake that's not quite right, not Colorado. You carry me up the mountain and roll me open.


I Trip On How Happy We Could Be

July 2024

Ely, MN

Acrylic and Oil Pigment Sticks on Canvas, Cedar Altar

69 x 35 in, 10 x 20 x 6 in


5 things you can see, 4 things you can touch, 3 things you can hear, 2 things you can smell, and 1 thing you can taste

May 17th, 2024

Texas

Acrylic and Oil Pigment Sticks on Canvas, Plywood Altar

60 x 45, 15 x 10 x 6 in


 

Leah Reusch is an interdisciplinary artist exploring intimate human connection to nature and community. Reusch works as a painter, poet, and installation artist in many mediums, as well as a wilderness field guide where she applies her art in natural teaching settings. Through large-scale abstracted natural painted scenes in her individual practice, Reusch widens the spaces between realism and abstraction, landscape and inner space, to open up room for viewer and artist, collective and individual, to find moments of truth and connection. Reusch’s work aims to pull closer the horizon of society vs. wilderness, human vs. being, until it is a blurred line and safe, accessible, decolonized place; a unity that inspires all to care for the earth and others as ourselves; a challenge against the inequity of outdoor spaces and inner hierarchies. Through wild gesture, vivid color and reactive, meditative painting, Reusch creates huge living paintings that she sees as an extension of her own body, a living breathing space. Reusch lives and works across the world painting and teaching on farms and in wilderness settings with youth and disabled people.