second womb
Nude and wet as I’ll ever be without fear of harm,
the steam envelops me. A soggy cocoon
of transient remedy. A more regulated drowning
until my breath returns, having ricocheted off the mold.
The curtain sweats out a desire sticky and lingering
as the craving your lovelessness affords.
I am trying to love the way you’ve made me
have to love myself. Permission
with no promise of return.
I open the faucet of us and nothing rushes out.
Mothering is slippery, I know. Lots of need
for grabbing on. For doing as you must.
You recount stories of your own many avoidances.
How you knew to do as told without question. Meaning
all the questions got jammed down from your slightly parted lips
to whatever organ holds the most hesitance
to your bloodstream. Hatching within me.
Now all I have are questions. My insides never dared
imagine being supple and uncalloused. So I gather myself
beneath a constrained downpour in hopes of dissolving,
imperceptibly. In hopes of seeing
what the drain has to offer me. I’d like to believe
there is a sewer for all the lamentations we’ve sloughed off
in anguished showers. A holding place prior to treatment.
Trouble with that is, all water gets recycled. Incessant
is sorrow. Foolish to think we can wade in the same waters
without repercussion, awaiting salvation.
Ayling Zulema Dominguez is a poet, mixed media artist, and arts educator with roots in Puebla, México (Nahua) and República Dominicana. Grounded in anticolonial poetics, their writing asks who we are at our most free, exploring the subversions and imaginings needed in order to arrive there. Ayling believes in poetry as dutiful liberation practice, writing against colonialism and toward new worlds of community care, ever-healing lineages, and land returns.