In tune with the trees’ fated shiver, get sad
and try again, coughing up nostalgic sands as brass
melodies imitate a barbed wire memorial for the rain
to polish at which point you ask for directions
get lost in a city’s identical awnings renting your brain.
Then after that rain and the rain and rain with rain in it
raining the rain and the rain’s sibling the rain, I verify
my skin waiting for sheets of air or stale echoes,
the junctions the poem needed to free all threads
of resentment and desire. Time then held tight in the
shopping bags singing the future’s toothbrush into being
from muscles of commerce, the ghosts that wait along its river
aren’t even real, no time to stop and talk, this territory of bad still
sounds an empty room, air in the can, the clock the tree’s poetic
rot as a joke I don’t get, please tell it again.
Sit and think of violent movies your mother
would like, a rearranged scale to climb the blasted
scaffolding how voice folds and devours its tent
collapsing in rain and the mud groans ancient.
How you could just take it and reserve a table for poetry,
hold music on hold while the stroller wheel’s grocery
discovers nothing’s adjective nothing
facing down as dark water sunk the sensuous edges of a missile,
know that skin. Yeah, I still don’t want a country though
and its identities, its births breathing all documents
to hamburger horizons and national sunglasses
a slow limp across a parking lot as energy drinks
investigate the limb’s motion. Really, I’m a coupon
open book percentage on the picnic table
and the self-flagellating storms invent excuses
to mispronounce the applause across the river’s electrified
debris, that border will fuck with you, that muscle will be weak
about halfway across and then what, whose helicopter is that
blaring in the teeth’s imbalanced sleep when dawn’s rushes
come in the window they’re all left waiting for you, gardens
of violence beckon a summertime stroll, the blood visible
and then just a flower.
Tony Iantosca is a writer, poet and educator living in Brooklyn. His previous books include Naked Forest Spaces (Third Floor Apartment Press); Shut up, Leaves (United Artists Books); and To the Attic (Spuyten-Duyvil Publishing). Recent poems can be found in a Perimeter, a Glimpse of, Periodicities, and Second Factory, among others. Recent articles, essays and reviews can be found in Radical Philosophy Review, Im@go: a Journal of the Social Imaginary, Situations: a Journal of the Radical Imagination, and Tripwire.