Middusk:
a flicker of what the angels were humming.
Lawns with trees across from me. The crosshatch
of drainage systems visible above, although taking place below.
And I am sorry, to be pregnant–to think no bird but shadow.
The sweet puncture scent-of-it turns again, a question,
then to the street run-off. My mother was 32,
stretched like a rack in labor. Always I thought I felt
the other way, the aversion became
a kind of marshland. I could not stand in
its moving. The hours made a difference,
as old women often do. It was obvious that angels
were the thing you’d speak to about this,
asking–very polite–-about compensation.
Panting at lake gaston
After grief peaks, it pools again at the ankles. A dog
by the firepit–they’ll sleep anywhere and wake
to anything. I know about being alone in a room.
I practice sitting, then I sit.
But have you ever been bitten by a dog? Is it worse than a person’s
tool marauding again at your gut? Whose eyes
were wilder? I cannot admire
the heart pried into ventages. Even an instrument
will be played by the wind. Even wind has access to a body.
The lake floor you learn, how you learn everything else,
not by touch but through flinching and its repetitions.
Emma Cameron is a senior at Sarah Lawrence College from Philadelphia. She was the 2022 recipient of the Andrea Klein Willison Prize for Poetry for “The Posture of Ophelia.” She loves Japanese maples, the fragment, and any dessert with a center.