Middusk:

a flicker of what the angels were humming. 

Lawns with trees across from me. The crosshatch 


of drainage systems visible above, although taking place below. 

And I am sorry, to be pregnant–to think no bird but shadow. 


The sweet puncture scent-of-it turns again, a question, 

then to the street run-off. My mother was 32, 

stretched like a rack in labor. Always I thought I felt 

the other way, the aversion became 


a kind of marshland. I could not stand in 

its moving. The hours made a difference, 

as old women often do. It was obvious that angels 


were the thing you’d speak to about this, 

asking–very polite–-about compensation.

 

Panting at lake gaston

After grief peaks, it pools again at the ankles. A dog 

by the firepit–they’ll sleep anywhere and wake 


to anything. I know about being alone in a room. 

I practice sitting, then I sit. 


But have you ever been bitten by a dog? Is it worse than a person’s 

tool marauding again at your gut? Whose eyes 


were wilder? I cannot admire 


the heart pried into ventages. Even an instrument 

will be played by the wind. Even wind has access to a body. 

The lake floor you learn, how you learn everything else, 

not by touch but through flinching and its repetitions.


 

Emma Cameron is a senior at Sarah Lawrence College from Philadelphia. She was the 2022 recipient of the Andrea Klein Willison Prize for Poetry for “The Posture of Ophelia.” She loves Japanese maples, the fragment, and any dessert with a center.