Known
after Juan Lopez-Bautista’s Sketchbook: Processes and Collages
The woman behind the register is redoing her backsplash.
I am the woman when every song is a third trip back
to Home Depot, forgotten caulk alongside misheard lyric,
terra cotta tile, a cousin’ birthday – ongoingness
breeds the casualty of unremembered.
The waking impossibility
of everything, of nothing
halting is truly haunting.
To save time
there are gadgets like everything
bagel seasoning, the avocado slicer for avocados
only. I am upset my phone knows where I am going
before I do.
Home Depot again? The house of a succubus
again?
Instead of slack-jawed scrolling,
of numbing surveillance, I crave being a regular, known
and unforgotten without exhausting data.
Known like the way of who’s coming –
catalogued soundtrack
of footsteps down the stairs.
Have you ever been so lonely, you want to be caught
picking your nose by a neighbor – the embarrassment
of the body is always worth shared intimacy.
Is that not love-making? I can hardly remember.
Madeline Simms is a poet and creative from Illinois. Her poetry can be found in The Tangerine, The Journal, and others. Madeline is an MFA Candidate at the University of Alabama in Tuscaloosa where she spends all the time she can in the garden.