My Favorite California
In and out of the body you were an animal
gathering fog in the trails you left, tracing
the edges of red flowers, breath practice.
In the afternoon hair makes the cleanest hush,
grass. Counting ladybugs, burning my skin, drawing
my finger out into the world as an instrument, teacher.
At a sudden migratory V, the mountains rush to each other
in confidence, vault the wind up into a wall.
All we could do was yell
and get our voice sent straight back.
We watched girl hikers do the same,
the yelling, the hollering, the being barbarian.
Fog leveling over, rushing down the hillside
leaving us, leaving us,
the unbelievable barges revealed
and curtained again. You place the landscape with language. I mimic
series of mirrors. We collect illegal flowers, shimmer and break,
run through the field like a cold lace.
Transparency
Tilt my head back.
Where does the sky begin?
In the late sun, a crow sweeps
blue veils. It lifts.
A crow can, sometimes,
be silver. I stay until
its turns become obscured
by the glinting brick of dormitories.
Another time:
Camera hung from her neck,
my mother calls me
out to the yard. Her perfect
fingers open a jewelry box.
My hair drapes a shelter
for inspection.
The wet, pink body.
A beak. A suggestion
of feathers. The motionless
boomerang of a wing.
She asks me to hold it.
Offers a strip of ribbon,
for art or maybe for distance, or both,
lays the dead bird
in the silk center
of my palms.
I ask
my mother for this
photograph, she says,
I treasure it of course.
and psychologically
I’ve been death conscious
from the outset.
I come to a crosswalk.
Across the street,
the hunched shape
of a man emerges
from a door, holding
a plastic sack like the scruff
of a child. Reaches into the bag.
The hand surfaces
a half-closed fist
and flickers gold seeds
over the grass.
Entering this world,
his white feet oscillate
through the daffodils,
sets their trumpets to the task
of rhythm-keeping.
In the morning,
I crawl out of a dream: birds
descending on the flowers
in a litany of black, anxious smudges,
the serrated call of a crow
edging through rain. Somewhere,
my mother saying the word,
Transparency.
And then the entire early landscape
ruptured by light, shadowless
deer closing down
on spring’s yellow face.
Jane Scheiber is a senior at Sarah Lawrence College from Lyme, Connecticut. In 2022, she was awarded the the Academy of American Poets University & College Poetry Prize through Sarah Lawrence College for her poem, “Red,” and was a 2022 Jane Brinkley Fellow through the Poetry Society of New York. She is an Editor-in-Chief for Love & Squalor, and she co-edited the Milk Press Summer 2023 issue with Lola Anaya. In her free time, you can find her watching robins doing robin activities, reading with her cat in her lap, or running off into rural New England.