Roadkill
The topical cream tempts the itch to arrive
Because we know it will always be there
When I give in
I didn’t know there was a rash behind my neck
And I wish I was wearing my hair down to shield myself
When I reached back to touch it, I knew
I needed to cut my nails
Invisible to my eye, but it was there
Like the ringing in my ears and
Dizziness – led astray on some roundabout
Then another
Then that confused creaking in my joints
Shaking hands, terrified knee tremble
Ache looking for calm -- bottled or pilled, perhaps ointment
Where can I find it?
And what does it mean that
When I see roadkill
I consider it a good luck charm –
Well wishes for the weekend;
Some selfish semblance of relief in death
And superstition to make the best of things
There is a crack at the top of the front door
The shape of a triangle
Two ladybugs wait in the hall this morning –
Real red luck swelling with life
A burning comfort in my chest
These are not dreams
Instead, an itch, craving a hand to reach out
And find it.
the night is coming
The night is an easy highway
Taking me where I need to go without
Turns as I sip on agua fresca
With chia seeds, fresh lime
We can drive all night but
Not before we cook –
The night is a wide pan full
Of pinto beans ready
To be smashed to oblivion
Then spread tenderly on a tostada
The night is your bottle of tapatío – way
Too big
But if it makes you smile, so it must be
The night is dark
Afraid of what hides
And of what is shown proudly –
Outdated flags from the wrong side of history
On their lawns
A woman touches my hair in the thrift store
Without asking
We wonder where it is safe to hold hands in our travels
The night is a door I make sure is
Locked
A few unneeded times
The night is heavy –
Until your eyes glimmer in the
Sheen of headlights that flash
Through the window
Until our heartbeats sync after
A day’s hard work
The night is full
And we’re ready
With closed eyes.
Lola Anaya (they/them) is a queer Puerto Rican poet studying English & Art History at Smith College. They have read their poetry at Spoonbill & Sugartown Books in Williamsburg, NYC and at the 2023 New York City Poetry Festival, which they were also a part of as an organizer. They have been published in mOthertongue, a multilingual journal based at UMass Amherst and Same Faces Collective. They have worked with the Poetry Society of New York since Summer 2022, originally as the Brinkley Fellow and currently as the DEI Associate. They co-edited this issue of Milk Press with Jane Scheiber.